Measuring Success: The First Year In Review

BrokenRuler_logo_websiteheader_Oct2015_noshadow

There are differences between levels of success and they’re based on the goals we lay down. Yet no matter how you look at it, we all view success as a means of moving forward and upwards. There’s a momentum behind it and when you get a lot of it behind you, even in small doses, things can really move in directions you never imagined. That’s the mantra I live by when it comes to anything I do. I start small and I let it grow and don’t look back until I can see things have really progressed in ways I had not expected and yet always hoped for.

I guess that’s a long way to say… Welcome to another edition of our Measuring Success series! Where I figuratively pull back the curtain to reveal nothing more than a lone man frantically pushing a lot of buttons in the hopes of creating something magical. And that would be me, Todd Crapper, the publisher of Broken Ruler Games and Pusher Of All Buttons. Not only is it time for an update on this bi-annual sales report for all curious onlookers and fellow independent publishers, it’s also a review of BRG’ first year as a registered business. If you’ve never read any of the previous installments in this series, you can find them all here. Basically, I open up the books and spill the beans on how well my business is doing.

Right off the bat, let’s begin with the good news. We made money! The majority of that stems from the High Plains Samurai Kickstarter, which means that profit is going to be very short lived. But still… we made money! If I take away the Kickstarter funds, we are working in the red but that is very much expected with numerous projects and partnerships in the works, memberships fees, printing costs, and more. There have also been some valuable lessons learned – some of them troubling, others eye opening. As you’ll see below, we’ve also started moving into some exiting new directions for 2018. Put on your goggles, folks, because it’s time to dive into the deep end of the pool.

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What Did We Sell?

Every one of these posts starts off with a big giant spreadsheet containing sales from multiple sources – DriveThruRPG, RPGNow, CreateSpace/Amazon, the Open Gaming Store, Epimas, and others. Below is the complete sales data from September 2016 to August 2017.

Product

OBS Sales (DriveThruRPG/ RPGNow)

Open Gaming Store Sales

Convention/ Direct Sales

Total
Sales

Total Gross

Killshot: The Director’s Cut

83

11

94

$143.90

PDF

26

26

Hardcover

2

2

Hardcover + PDF

1

1

Killshot: An Assassin’s Journal

9

9

Killshot Files #0

26

11

37

Killshot Files #1

9

9

$12.00

Killshot Files #2

10

10

$27.97

ScreenPlay

314

20

16

350

$450.45

PDF

37

2

39

Softcover

2

16

18

Softcover + PDF

4

4

Ironbound

105

18

105

$8.84

The Blessed and the Damned

150

150

Dial M For Monster

16

16

$68.50

TOTAL

397

31

16

444

$711.66

dialm_finalcoverOverall, sales were down 44% compared to the previous year (and before I registered BRG as a business). The main reason is a lack of new products during this first year. Aside from Dial M For Monster, which bombed, all of my focus this past year was spent preparing the HPS Kickstarter, engaging with distribution channels and connecting with publishing organizations. All things considered, it’s not a harsh drop and is quite acceptable when you consider this crowded RPG market (particularly on DriveThruRPG). These numbers do not include either of the free playtests for ScreenPlay and High Plains Samurai, which helped keep BRG active and increased the size of our audience. These playtests combined were downloaded 1,640 times since 2016 – an impressive amount that helped us raise $6,411 on Kickstarter this year.

What these numbers provide is a benchmark for 2017-18, one I’m quite hopeful can be jumped over and left in the dust when the High Plains Samurai Roleplaying Game is released in Fall 2018. If I play my cards right, there will also be some early momentum from Summer convention sales and will also be available through North American distribution with Indie Press Revolution (they’ve already requested a restock of 20 copies of ScreenPlay, in fact). While the past couple of months have been off to a slow start, my eyes are looking towards March 2018 for the numbers to make a running charge at that benchmark.

Otherwise, there hasn’t been any significant change in sales since the previous MS post. If you’re interested to read a summary on the first six months’ sales, click here.

HPS-Kickstarter_BalladPreview

What Did I Learn?

If there’s one area that has been the biggest eye-opener, it’s been bookkeeping. Detailing every single transaction, noting it across different reports, multiple currencies, transfers, and all the financial data needed to run a business has changed significantly in our second year. With new opportunities now available to BRG products, including access to distribution through IPR, there’s going to be more to track and I need to keep everything organized in a way that will make sense 365 days of the year.

Balancing the demands of running your own business with the need to create new material has also been challenging with a few adjustments made along the way. This has also lead to a better approach on dedicating time for project management, scheduling and budgeting to get ahead of the train rather than racing after it. There has been more time placed on setting up new opportunities for BRG to pave the way for a larger release with High Plains Samurai than anything else I’ve ever done. While not a conscious goal, there is a chance HPS‘ core rulebook could premiere at Gen Con 2018! An opportunity too good to miss. With these matters handled during the first year of operation, I can now get back to the creative side of the business before stepping back into the marketing and publishing sides. Different hats, as they say.

I’ve also discovered that it is possible to go with only 5 hours sleep for two weeks straight but it’s not going to feel good by the end.

One of those nice and unexpected (yet secretly hoped for) benefits of this past year has been the contacts and support from other indie RPG publishers, particularly with the members of the IGDN. They were incredibly helpful filling in the gaps and tightening up the presentation for the Kickstarter and I’ve been able to work with industry figureheads such as Mark Diaz Truman, Sarah Richardson, Emily Care Boss, and others on the Metatopia Scholarship program. It’s given me a couple of geek-out moments, for sure, but the most important benefit has been that sense of inclusion. Of community and knowing there are others who are just as mad dog crazy as I am about doing this. It’s also offered up a lot to think about when it comes to marketing and communicating with my customers, from setting up a subscription newsletter, to Patreon, and other things that would need a post unto themselves. All told, being part of the IGDN started to teach me how I can responsibly grow BRG.

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I also had a blast going on some of my favourite podcasts, including Misdirected Mark and The Gauntlet. Plus there were the personal connections made by attending Breakout in March and shaking hands with fantastic publishers and game designers like Fraser Simons, and Hamish Cameron. Knowing there are people out there you could be trapped on a deserted island with and talk about game design uninterrupted…? Priceless.

Going back to the benchmark mentioned above, this year’s sales were more than enough to handle expenses, printing and shipping costs, convention attendance, travel, and others. One of the advantages of working almost completely online is the savings; it’s quite possible to make a lot of business arrangements without leaving your chair. This means as long as I can at least pull in these kinds of numbers year-to-year, the business can continue to stay afloat. And that requires a continuous release schedule, something my editor, Vince Harper, brought up during one of our earlier production meetings.

Hmm, perhaps now would be a good time to get to the fun question…

What’s In Store For 2018?

So glad you asked! Thanks to the 273 honorable backers who helped make this happen, we’ll be rolling out the High Plains Samurai Roleplaying Game in two phases.

  • breakout2018-logo_324x179In March 2018, you can try out High Plains Samurai: Legends as a free download. Legends provides players with everything they need to play out one-shots in the One Land, perfect for convention play and to test out your wire-fu storytelling skills. Will include pre-generated characters, character & scene notes and three storylines. A print-on-demand (POD) version will also be available for a reasonable price (currently in the $10-$15 range based on final page count). We’re on target to premiere Legends at Breakout 2018 in Toronto, Canada and my plan is to have softcover copies available there as well.

  • Then in the Fall of 2018, the High Plains Samurai Roleplaying Game core rulebook will reveal everything you need to begin magnificent and dangerous tales from the One Land. Complete with character creation, advice for Writers and Directors, detailed introductions to the Five Cities and the Wastes, and more. This core guide to the game will be sold in PDF, POD, and softcover (prices yet to be determined) on all OneBookShelf sites, Amazon, and at major conventions and (hopefully) local gaming stores across North America (but I’ll settle with a handful… for now).

Plans are also underway for a dedicated High Plains Samurai website, publishing Fraser Ronald’s origin story of Black Scorpion, moving forward with the Atlas of the One Land project, I’m currently plotting out some ideas for a series of mini-games, and the wheels are spinning on a Black Scorpion’s Revenge Kickstarter late next year or early 2019. There will be more to come about these projects… soon. Stay tuned.

In Conclusion…

I’m quite pleased with this first year. Capped off with the success of the Kickstarter and the knowledge gained during the first 365 days of official operation, I’m really looking forward to applying these to the next 365 days. Don’t get me wrong, I’m hyperventilating deep down inside but optimistically hyperventilating. If such a thing exists. All in all, I’m very happy with this first year.

If you have any questions or comments on what you’ve seen here, I’d be happy to follow up with more information or compare notes to help fill in a few more gaps in the indie market.

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ScreenPlay Goes To GenCon

ScreenPlay_cover_7x10_March2016_preview2It’s not a zany sequel (though wouldn’t that be cool?), it’s the truth. Thanks to our partnership with the Independent Game Designers Network (IGDN), print copies of ScreenPlay will be available at Gen Con 50 this weekend! Anyone who buys a copy at Booth #2437 will also receive a PDF copy of the game, a handy reference to send out to your Writers. Plus you can find many other indie games from publishers such as Growling Door Games (Chill), Magpie Games (Epyllion, Masks), Third Eye Games (Pip System), and our good friends from the Ottawa Game Publishers Podcast too.

Stop on by and discover games you never knew you always wanted to play.

Measuring Success: The First Six Months

BrokenRuler_logo_websiteheader_Oct2015_noshadow

It has been exactly six months since Broken Ruler Games was relaunched and the time has come to look back at those early days to see where things have progressed to date. Yes, exactly six months to the day.

Pay no attention to the date of this post!

Hello again, loyal readers and casual Googlers. This is BRG’s big cheese, Todd Crapper, here once more to review the numbers that have been flying across my screen these past few months. As this latest update in the Measuring Success is arriving a bit behind schedule and there’s still plenty of work ahead on the High Plains Samurai Kickstarter, let’s jump right into the fray, shall we?

Cutting Up The Numbers

Below are the total sales for both OneBookShelf sites (DriveThruRPG, RPGNow, and affiliates), the Open Gaming Store, conventions, and direct sales between September 20, 2016 and March 31, 2017.

Product Total Sold Gross Sales Earnings  
Killshot: The Director’s Cut 20 $86.12 $50.39  
PDF 18     **listed as Silver Best Seller on DriveThruRPG
Hardcover B&W 2     1 print demo ordered from Lightning Source
Hardcover B&W + PDF 0      
         
Killshot: An Assassin’s Journal 5 $0.00 $0.00  
PDF 5      
Softcover B&W 0      
         
Killshot: Direction 0 $0.00 $0.00  
PDF 0      
Softcover B&W 0      
         
Killshot Files #0 22 $2.00 $1.17  
PDF (Free) 22      
         
Killshot Files #1 5 $6.00 $3.64  
PDF 5      
         
Killshot Files #2 6 $17.47 $10.22  
PDF 6      
         
ScreenPlay: The Rehearsal Edition 0 $0.00 $0.00  
PDF (Free) 0      
         
Ironbound 101 $5.83 $3.49  
PWYW 48      
Softcover POD 0     limited to 5 copies only for PbP playtesters!
Blessed and the Damned 53      
         
ScreenPlay 32 $189.20 $129.75  
PDF 23      
Softcover POD 2      
Softcover POD + PDF 4      
CreateSpace / Retail 5     for backers/playtesters/patrons only!
         
Dial M for Monster 18 $68.50 $40.08  
PDF 16      
Softcover POD 2     1x POD proof ordered Sept. 2016
         
High Plains Samurai 911 $0.00 $0.00  
Rehearsal Edition 911      
       
TOTAL 1146 $365.12 $238.74  
         
Killshot Directors Kit (Bundle) 5    

With only one new paid release in this period (Dial M For Monster), these are decent numbers. Considering how ScreenPlay quickly lost steam after a strong release and Dial M (to be blunt) failed to click with classic monster movie fans in October, these are good to see and a positive sign moving forward. Killshot continues to hang on and Ironbound refuses to go down (much like the magick hunters themselves).

This is also the first time I’ve been able to include sales from multiple sources and not just OneBookShelf sites. Broken Ruler Games is now a proud member of the Open Gaming Store, Composed Dream Games Marketplace, the IGDN (providing access to some American conventions with plans to move into retail distribution as well), and we’re also available in at 401 Games in Toronto. A brick-and-mortar store selling physical copies of ScreenPlay! Always brings a tear to my eye. Plus there was a copy sold at BreakoutCon. Oops, there’s another tear.

What really stands out over these past six months is that nice big number next to High Plains Samurai: The Rehearsal Edition. 911 downloads. In one month. Wow! And that number is soon approaching 1,000. Compared to the 645 downloads of ScreenPlay‘s Rehearsal Edition during the initial playtest campaign and during ENnies voting, roughly four months of availability, and that’s a big leap. Clearly the concept connects with people enough to add it to their catalogue; the question becomes whether or not it will be enough to make a healthy portion of them want to help expand this project into something bigger and wilder. Time will soon tell.

Tightening The Focus

dialm_finalcoverThese numbers have brought something to light: open ended products do not sell as well as detailed concepts based on a particular genre. By this, I mean products with a clear direction and theme in mind, such as a game about robot hunters on Mars versus a game about telling a story around a campfire. Killshot is still selling (and selling better than ScreenPlay) after four years and HPS‘ initial downloads prove that case. While Dial M provided a clearer idea of the system than the ScreenPlay core rulebook, it was not unique enough to stand out in the crowd. At this point, the only two products consistently getting clicked are the modern assassination RPG, Killshot, and there appears to be strong interest in Samurai‘s mad mash-up. Perhaps more than the positive signs, it’s the negatives telling me BRG needs to consider a greater focus on more unique concepts than open-ended, “do-it-all” systems.

ScreenPlay and Dial M For Monster are currently financial losses and it looks as if it will be a while before they break even. Those are strong negatives as far as aiming at similar projects in the future. It’s not to say such products will never be on the menu again, just that there will be some smaller budgets attached to them. Much smaller. It will mean smaller page counts but it also means future ScreenPlay treatments are still possible with the rules left up to the core rulebook. Maybe a collection of treatments. If anything, it’s a worthy experiment that will help shape BRG’s future (even if the result was less than hoped).

Getting Ready To Unleash The Samurai

hpslogo_kickstartermay2017

As mentioned above, we’re closing in on the Kickstarter launch of High Plains Samurai and all wheels are spinning in that direction. Seeing such impressive numbers for the free playtest have been incredibly encouraging… but the low number of survey results have skewed that sentiment. To date, there has only been one survey result completed for HPS but there are a couple factors to consider. First, this first quarter of 2017 has been Kickstarter season (one we were originally due to be part of were it not for the scheduling change and I’m very glad HPS wasn’t trying to compete with so many other amazing games during March). There’s been a lot of new stuff coming and going. ScreenPlay‘s playtest was released in October versus HPS‘ in March. Obviously, this time difference is huge and has been noted for future playtests. The downloads suggest HPS definitely appeals to a wide audience; without the feedback, it’s hard to tell if it actually resonates with people.

Another crucial factor is that getting feedback on anything – let alone a playtest – is difficult in the best of times. What I had hoped was a working formula has now been revealed to have been a lucky fluke with ScreenPlay… or maybe it’s more of the audience each game attracted. ScreenPlay definitely struck a chord with the story game crowd, Samurai has appealed to a more traditional RPG audience (or perhaps a hybrid crowd, such as Powered By The Apocalypse fans). Even people who playtest something face-to-face with the creator can be loathe and unable to provide detailed feedback, but I’m happy to report there are some playtests in progress at the time of this post and there should be more to work from going into the Kickstarter campaign. The initial response to this game is still very strong and I should have BIG NEWS for the launch party (to me, at least, because I get to fan gush when the time is right). Stay tuned for that.

All that aside, revisions have been made to the Kickstarter’s goals and stretch goals in light of this shift in playtest results. For starters, I’ve adjusted the goal to a lower $3,000 (Canadian) to fund a “basic” version of the game and by that I mean a 96-page edition containing the complete rules and basic setting material with an appendix for the Black Scorpion storyline and a host of supporting characters from around the One Land. This will at least give me the satisfaction of knowing I can publish HPS in a way that I would still be proud to slap on the BRG label and provide something magical for people to play. At $6,000 (still Canadian), we will produce High Plains Samurai: Black Scorpion’s Revenge, the true version of the game I’ve always intended. At nearly 160 pages, this will contain everything from the “basic” version plus incredibly detailed guidelines for directing/playing HPS and a chapter for each of the six major locations in the One Land. Within each of those chapters, a series of scenarios will provide story beats to help your group play out your version of Black Scorpion’s Revenge, the main storyline that threatens to wipe the One Land from existence. At $10,000… you know what, let’s leave that one for now. Yep, I’m teasing you.

My Money Where My Mouth Is (or Do You Want To See The HPS Kickstarter Budget?)

Due to time constraints and wanting to get this post out the door before the end of April (sheesh!), I’m going to skip the fourth component of this post… for now. Seeing as I’ve been open with my sales figures, it seemed only fair to be as open with my Rehearsal Edition/Kickstarter budget for High Plains Samurai. How much I’ve spent to date to create the version that will exist as of May 30th as far as editing, artwork, marketing, and more. Time permitting, that will happen before the launch. Otherwise, I will make a point to include it during the campaign itself.

Until then, if you have any questions, comments, or random swear words to throw my way, I’m always game to hear from you. Thank you for your support so far as BRG continues moving forward and I hope there’ll be some crazy numbers to show you next time. Like numbers with four digits. Whaaaaa….?!!

Merry Epimas To All!

screen-shot-2016-12-13-at-8-43-20-amWait… what?

If the name Epidiah Ravachol means anything to you, then that headline is starting to make a lot more sense. For the last couple years, Epi, as his friends calls him… and we’re not sure if we’re one of them so let’s try this again. For the last couple years, Epidiah has put together a special non-denominational tabletop bundle around the holidays and called it Epimas. This year is no exceptional and we’re proud to state ScreenPlay is included in one of those bundles.

From Google+ on December 1st:

This year, we’re going to have an earnest, no-bullshit Epimas.

For those not in the know, Epimas was created by +Nathan Paoletta and myself way back when PDFs were still just kind of a new thing–before the iPad and other reading devices, so folks were still a bit leary of them. Following in the grand tradition of . . . well, just about all of capitalism, we were trying to create a new normal. We wanted to make it okay to give the gift of a PDF for the holidays. Particularly because small-time game publishers with shoestring budgets like ourselves had none of the resources to stock and delivery a holiday load of physical games.

So we created Epimas, a holiday set on my birthday (Dec. 24th) during which you give the gift of games (in PDF format) and enjoy them with your friends, family and assorted loved ones.

If you’re interested in indie RPGs such as ScreenPlay but also Apocalypse World by Vincent and Meguey Baker, the Romance Trilogy by Emily Care Boss, Our Last Best Hope by Mark Diaz Truman, and many more (57 titles, to be exact), visit the Epimas page. In addition to grabbing games for yourself, you can also enter the email of a friend and provide them with free PDFs at no additional charge. 

What Is High Plains Samurai?

hpslogo_geared_preview2What a good question. What exactly is High Plains Samurai (or HPS, as we call it around here)? With a little over a month before the public playtest/preview and four months until the Kickstarter launch, now seems like just as good a time as ever to divulge what makes this game tick. And there are many more questions to answer in the coming weeks.

  • What genre is High Plains Samurai?
  • What is the One Land, the Five Cities, and the Wastes?
  • Who are the people calling them home?
  • How do you play these characters?
  • What is qi and how does it give some of these people incredible powers?
  • What are the Elemental Spirits and how do they interact with the One Land?
  • Who is this Black Scorpion threatening to destroy the One Land and finish what Chaos started?

Plus so many more. That’s where posts like this will begin to answer those question, tease you of the infinite possibilities, and prepare you to band together to save this world and its people from ultimate destruction.

For those of you new to this site (and Broken Ruler in general), my name is Todd Crapper (yes, that’s right) and I’m the creator of HPS and the figurehead of Broken Ruler Games. With this long gestating project approaching these two major milestones, I want to share with you the process of creating this game, its setting, and what is so magical about this game.

Let’s begin with perhaps the first lesson: What genre is HPS?

The Ultimate Mash-Up

the_good_the_bad_the_weird_film_posterCutting straight to the chase, HPS isn’t about one or two genres. When it first started four years ago in my kitchen, it was a spin-off based on The Good, The Bad, and The Weird involving a train robbery merging westerns with wild and crazy wire-fu sword fighting. As time went on and as this game grew in potential, it also became apparent publishing this project faced an obvious hurdle: there were already a few western/samurai mash-ups in the RPG community. This one needed something unique to truly stand out in the crowd.

Building up the setting, I started experimenting with additional genres adapted to suit each of the major locations in the place called the One Land. Each of the Five Cities – the major communities fortified within unique geographical locations and home to vast majority of survivors from Chaos’ Wrath, a near apocalyptic event that has scarred the landscape and its people for generations – became its own stand alone setting. Merged into one cohesive whole, there are near endless possibilities for the make-up of any group of heroes (though anti-heroes may be a better word).

What began as a wester/samurai/wire-fu concept has now become a western/samurai/gangster/barbarian/steampunk/post-apocalyptic/superpowered quest of gods fighting over the fate of their homeland. Phew!

Imagine the possibilities. Your group can consist of a young, insulate gangster who rose from poverty to a position of power within one of the gangs from Yung Zhi, enforcing his boss’ orders with a Tommy gun; a bounty hunter and her double-barrelled shotgun who calls the rugged, sandstorm streets of Hunan home; a banished warrior from the snow capped mountains of Khar’tep with nothing but the desire for revenge, his axes, and the ability to turn flesh to stone; a noble warrior from the poisonous jungle surrounding the fortress of Monsoon tasked with discovering a lost tome by her General, blade and armour at the ready to battle anyone who gets in her way; and a genius inventor from the underground city of Rust, who happens to make his way across the One Land riding atop a warmech and its twin machine guns.

This also means going up against some equally versatile and dangerous enemies. Your lead characters will face others who have tapped into their qi powers, wield legendary weapons capable of slicing through stone or summoning a swarm of locusts, and so much more. Like I said, the possibilities are endless.

How The Hell Are You Making All These Genres Work?

img_3101
A demonstration of “anything goes in the One Land” portrayed in this early concept piece by Kieron O’Gorman. 

If you’ve ever heard of (or better yet, played) ScreenPlay, you have a very good idea of how HPS works. If not, well, it uses story game mechanics allowing a wide range of genres, styles of play, and more. More importantly, the players are the ones driving the story forward with the Director (aka the GM) keeping the plot moving forward and challenging the lead characters in a true improv style game where anything can happen.

You can learn more about ScreenPlay right here.

By stripping away the mechanics associated with genres, tropes, and other standards of any specific emulation, the rules allow everyone to simply describe their characters as they see fit. Without guidelines or mechanics forcing your hand in how you act and guiding your behaviour using pre-determined reward systems, you can play HPS however you want to play it. Even in whatever storytelling style floats your boat: scripts, novels, anime, the sky’s the limit.

But HPS is not exactly a ScreenPlay product. It applies a few new mechanics specifically designed to maximize your potentials as your story unfolds, such as building your potentials rather than default to its dice value, legendary weapons, teachings… don’t worry, we’ll get there soon. What continues from its predecessor is a free flowing storytelling experience driven by its players to create their own version of a world filled with characters like Grandfather Tom, the Council of Iron, the Desert Sun Gang, Xang the Mother of All Gangsters, and the unstoppable cataclysmic force known as the Black Scorpion.

The Doors Have Begun To Open…

Over the next few months, you’re going to have the opportunity to learn a lot more about HPS and how you can help shape the game that will hit Kickstarter in March 2017. For our next lesson in tapping into your inner qi, we’ll get into that dreaded day when Chaos – the very creator of the universe – took revenge on the One Land to punish his children.

Until then, we invite you to discover more about HPS on the official High Plains Samurai page. 

 

The Silence Is Broken! New Previews for HPS and ScreenPlay’s Now In Print

It’s been a month plus change since we last posted anything here and it’s not because of taking some time off. Far from the truth and today’s new updates are proof of the Ruler’s future in 2017.

First, check out the updated (and moved) High Plains Samurai page. As we get ready to launch the Rehearsal Edition of the game at the beginning of next year, we’ve updated the juicy text and included previews of Kieron O’Gorman’s ongoing artwork for the Kickstarter and two pages of layout previews. Speaking of juicy, we’ve updated the logo too.

hpslogo_geared_preview2
Mmm, juicy. 
Second, we’re happy to report ScreenPlay is now available in a black & white softcover and will be working its way to a few small distribution channels. Phone calls and emails are in progress on that front but with access to groups such as the IGDN (Indie Game Developer Network), IPR, and local convention distributor, Ottawa Story Games, we’re hoping to have copies of ScreenPlay in a couple of stores by the start of the new year. Oh, and it’ll be available on Amazon around the world by the start of next week.

You can order your own right now right here from BRG. For only $15 (plus shipping), you can have a softcover edition for use as soon as you pull back the packaging.

And we’re not done yet. Pick up your jaw because you need it to heal quickly for what’s coming soon.

Beware the Terror of… Dial M for Monster

dialm_finalcover
Cover by Jason Moser.

What terror will be unleashed? Who will survive the night? How will you save the museum?

Something haunts one of the city’s biggest museums in the dead of night. It leaves more bodies than clues and the staff will only be able to keep this story under wraps for so long before something truly gruesome happens. Whatever this creature is, it must be stopped and only the dedicated members of the museum’s inner circle can stop it.

Rather than actually make you wait to play for another two weeks, we’ve pulled the trigger on the PDF version of Dial M for Monster. Now available on DriveThruRPG and RPGNow (and soon releasing on the Open Gaming Store and Composed Dreams – coming soon!). Everything you need to play, including the full rules, allows you and friends to gather around for a Hallowe’en game of monster hunting in a 1950s black-and-white B-movie monster movie. A print-on-demand version should be only a couple of weeks away and will keep everyone posted on our Facebook page.